Dasha Anosova is a London-based researcher working with contemporary art and culture. Her research unfolds through writing, exhibition-making, editorial projects, and collaborations with artists, shaped by sustained engagement with Ukraine.

In 2024–25, she was a curatorial research associate for Faktura 10, a core initiative of Ribbon International conceived by artistic director and chief curator Marta Kuzma. Working in close collaboration with the Artistic Director, she contributed to research, editorial direction, and artist collaboration on projects including Jannis Kounellis, Untitled, 1997/2025 at the National University of Kyiv-Mohyla Academy (Kyiv); Kira Muratova: Scenographies of Chaos, presented at Lincoln Center (New York) and followed by a panel discussion at the Ukrainian Institute of America; The Stammering Circle and its public programme The Chalk Circle at the Jam Factory Art Center (Lviv); and a theatre production by New York City Players at the Ivan Franko National Academic Drama Theatre (Kyiv), alongside exhibitions, lectures, and publications.

In 2024, she co-developed The Phantom Museum with artist Olga Gaidash, a research project examining artistic strategies for engaging with the inaccessible, including looted and displaced cultural heritage. The project was presented as an installation at the Museum of Modern Art in Warsaw as part of its inaugural exhibition and was accompanied by a self-published zine and critical writing.

Daria curates exhibitions and public programmes in the UK and internationally, including I Am Not Here to Be Stronger Than You at Mimosa House (London), which was accompanied by an extensive lecture and performance programme on queer cultures and feminism.

Her research practice often culminates in public-facing formats such as exhibitions, symposia, and editorial collections, including Oberih, an international fundraising publication responding to the war in Ukraine, and The Reconstruction of Ukraine symposium, which resulted in an edited collection published by e-flux Architecture.

Her writing has appeared in publications including PIN–UP, Starters, Temptress (Грішниця), and Various Artists. Alongside writing and curating, she uses photography and documentation as tools for practice-led research.

She holds an MA in Education in Arts and Cultural Settings from King’s College London (2021), fully funded by the Chevening Scholarship, and is completing a PhD at University College London (expected 2026), funded by the London Arts and Humanities Partnership (LAHP). In 2024, she attended the Harvard Ukrainian Summer Institute, supported by the Harvard Ukrainian Research Institute.